We’ve launched a crowdfunding campaign because we really need your help to finish building the edu-centre in Delft so carers from informal crèches can get training in early childhood development.
We are busy building a passive solar, earth sheltered building out of tyres, cob, compressed earth bricks and glass bottles at the Delft Early Childhood Development (ECD) centre. But, we need your help to finish building it. The building will be an edu-centre so carers from informal crèches can get training in early childhood development.
Following our involvement with building the Delft Early Childhood Development centre with natural and sustainable building materials we saw the space and need for an adult training centre there so that, amongst other things, carers from informal crèches in Delft and surrounding areas can receive training in early childhood development. It has been widely accepted that the first 1000 days in a child’s life is critical to their, as well as society-at-large’s health and wellbeing. During this period, children’s brains can form 1,000 neural connections every second and these connections are the building blocks of their future. But, we need your help to complete the building…
What we have achieved to so far:
Peter McIntosh has raised R120 000 from the Sophia foundation towards materials and has donated three months of his time towards the success of the project.
We have provided employment for eight members of the local community during the building process.
We have provided a month-long training sustainable building course including for architecture students of CPUT. The course was presented in collaboration with Guy Williams on behalf of international NGO Long Way Home from Guatemala.
We have also used provided other learning opportunities for volunteers, architecture interns.
We need to get from here:
How we’ll use your contribution:
With your help we can complete this building… Your contribution will go towards completing the following activities:
Planning gum pole purloins to level to install roof sheets
Installing IBR roof sheets
Complete last two sections of ring beam (shutter/form and pour concrete)
Source and make over 2000 more bottle bricks
Install bottle bricks in cob above ring beam
Cob scratch plaster coat, form coat and final lime plaster coat internally
Form and final plaster coat on internal and external bottle walls
Level and stamp floor
Gravel, newspaper, cob and compressed earth brick floor layers
Final layer on floor
External plaster finishes on tyre walls and ringbeams
Final touches on tyre retaining wall and earth berm
Front level ramp and paving threshold
Painting fibre board on door-front
With your support we are making a difference… Thank you!
How did you first get involved in natural building?
Jill Hogan at Cobbit’s Cottage.
In the early 90’s my life changed completely and I found my self alone. In wanting to be part of a community, I met Hurta Stuurman and did some work with her on her cob house at Hermanus/Stanford and knew that this is what I wanted to do. It combined my concept of Permaculture with creating an organic home for myself, while allowing me to use my knowledge of earth/clay.
Tell us about your journey.
In the 70’s I worked for a nursery. I had a pot plant business, but was exposed to organic veggie gardening and became more and more interested. At the same time, I started doing pottery and assisted in teach children with learning disabilities now known as ADHD, and so was exposed to lateral thinking.
In the 80’s I went back to “school” and did a fine arts majoring in ceramics.
In 1992 I was introduced to Permaculture and did the design course with John Wilson from Fambidanzia, at Tlholego in Rustenberg, and I developed a true passion for sustainable development.
Someone was setting up an Eco Village in McGregor and I was drawn to become one of the original developers. But personality clashes among the original six members caused the project to collapse, sending me into McGregor itself where I bought a piece of land in the town. Continue reading →
Earth is becoming increasingly popular in contemporary architecture: hundreds of projects of high aesthetic and technical quality are emerging across five continents. This material, which has low embodied energy, is readily available and appropriate for participatory buildings. It could help provide a solution to the needs for ecological and economical housing.
Wang Shu, 2012 Pritzker architecture prize laureate, is the president of honour of this TERRA Award, the trophies for which will be presented in Lyon on July 14, 2016 at the Terra 2016 World Congress.
Since its creation in 1979, the CRAterre-ENSAG Lab has been considered as the international research and training reference centre for earthen construction. It will organize in July 2016, under the auspices of the UNESCO Chair “Earthen architecture”, the Terra 2016. This World Congress takes place every four years on a different continent and will be held for the second time in Europe. It is expected to draw around 800 professionals, teachers and researches to Lyon (France).
The TERRA Award was initiated within this framework. It will be the first international prize for contemporary earthen architecture and a natural furtherance of the national award launched in 2013 in France by CRAterre-ENSAG, AsTerre and EcologiK/EK magazine.
The purpose of the TERRA Award is not only to identify and distinguish outstanding projects, but also to highlight the audacity of the project owners for choosing to use earth, the creativity of the designers and the skills of the craftsmen and entrepreneurs.
An itinerant exhibition will feature 40 buildings from all continents, constructed using various techniques (adobe, cob, CEB, rammed earth, plaster, etc.) for all types of programs: housing, public facilities, activities, and exterior and interior designs. The exhibition will be completed with lectures and workshops by CRAterre-ENSAG and the amàco project.
The search for outstanding achievements deserving of this prize and the associated exhibition will make it possible to generate the first worldwide database on contemporary earthen architecture. The resulting virtual library will be available both to the general public and professionals via this website.
The projects must have been completed after January 2000.
There are eight categories covering all types of programs, whether new or renovated:
Passive solar design is the starting point of sustainable building. Once one understands the basic principles of using the abundant natural renewable resources at our disposal we become more creative in our approach to design, more in tune and observant, reconnecting us with the natural rhythms that surround and sustain us, if only we would pay attention. Sustainable buildings save money, reduce your carbon footprint and provide a healthy living environment, transforming buildings from consumers of energy to producers and forging buildings that meet our needs.
From a permaculture perspective, incorporating these aspects into the design of your home are excellent examples of several permaculture design principles. To mention the most obvious: Observing and interacting with your environment to make the most of the sun’s migration, catching and storing energy, using and valuing renewable resources and services, integrating functions and elements rather than segregating them and obtaining a yield from the planet’s most abundant energy source, the sun.
Passive Solar Design uses the energy provided by the sun and stored in the earth. First we need to look at how this energy is utilized by defining insulation and thermal mass and then look at the strategies of how to incorporate them into our designs.
In this guest post written by Jon Sojkowski, he chronicles common misperceptions of African vernacular architecture and how it is being abandoned for the status that comes with living in conventional Western style buildings. He asks whether these modern materials are truly better than the vernacular options.
By Jon Sojkowski
African vernacular architecture is a subject that has had very little attention. The lack of documentation and available data on the internet has led to a severe misunderstanding of a type of architecture that a large percentage of the population in Africa living in on a daily basis. The lack of data has led to negative perceptions regarding African vernacular architecture, mainly that it is temporary, primitive or for the poor. Most people, when they think of a mud hut, get an image of a dilapidated mud structure which is quite small and has a thatch roof. Sadly, this perception exists both inside and outside the African continent, but it is simply not the truth. Continue reading →